First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 2 begins with Dibdin's experiences at Althorp, describing how the rich library there was thrown open to him. He then continues his detailed discussion of his publications, and focuses on his life in London, before the final chapter turns to private libraries and their importance in his life. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

First published in 1836, this lively two-volume autobiography of Thomas Frognall Dibdin (1776-1847) reveals the background and mindset of this fascinating character. Best-known for helping to stimulate interest in bibliography and for his enthusiasm in promoting book collecting among the aristocracy, the English bibliographer adopts a conversational and anecdotal tone as he shares the details of his life and work with the reader. Volume 1 begins with the history of his parents, who died when Dibdin was very young. Dibdin then describes his formative years at school and college and the beginning of his professional life, including being ordained as a priest, before moving on to discuss his publications in some detail. Drawing upon letters and literature throughout, Dibdin recounts many entertaining tales, including an unfortunate encounter with a 'savage-hearted critic' at a dinner party, and introduces the influential characters he meets along the way.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Typographical Antiquities: An Historical Account Of Printing In England, With Some Memoirs Of Our Antient Printers, And A Register Of The Books Printed By Them, From 1471 To 1600, With An Appendix Concerning Printing In Scotland And Ireland. Greatly Enlarged By T.F. Dibdin; Joseph Ames Joseph Ames Thomas Frognall Dibdin

Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776-1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 1 presents a detailed survey of illuminated manuscripts and early printed books, focusing on the continuity of illustration and decoration. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776-1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 2 presents the rise and progress of printing, particularly on the Continent, and a survey of the history of bookbinding. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

Bibliomania, the almost obsessive collecting of rare books and early editions by the aristocracy, which peaked in 1812 with the sale of the Valdarfer Boccaccio, was fuelled in no small part by the work of the bibliographer Thomas Frognall Dibdin (1776-1847). His most famous book, Bibliomania, popularised the word's use in England. The present work was first published in three volumes in 1817 and may be considered a continuation of Bibliomania in both style and content. Using a dialogue format with extensive footnotes, it covers all aspects of bibliography from early illuminated manuscripts and printed books through to contemporary book collectors and auctions. The work is notable for the number and quality of its illustrations. Volume 3 presents accounts of book collectors and auctions since 1811, and bibliographical and general indexes to the whole work. Dibdin's Bibliomania (revised edition, 1811) and his Reminiscences of a Literary Life (1836) are also reissued in this series.

The bibliophile aristocrat George Spencer (1758 1834) employed Thomas Frognall Dibdin (1776 1847) as his librarian for life. The second earl had amassed the greatest private library in Europe, housed at Althorp, and Dibdin was tasked with cataloguing the vast collection and sourcing suitable editions to add to it. In 1814, Dibdin began publishing his four-volume catalogue, Bibliotheca Spenceriana (also reissued in this series). Aedes Althorpianae was published in two volumes in 1822, and although it is to a great extent devoted to further details of the great library and its contents, it is also illuminating for its detailed history of Althorp and the Spencers. Its descriptions of the internal decoration of Althorp, particularly its art, are accompanied by numerous illustrations. Volume 1 includes descriptions of the various illustrated works in the library, such as a volume of original drawings by Pieter Bruegel the Elder and a sumptuous illuminated Magna Carta.

The bibliophile aristocrat George Spencer (1758 1834) employed Thomas Frognall Dibdin (1776 1847) as his librarian for life. The second earl had amassed the greatest private library in Europe, housed at Althorp, and Dibdin was tasked with cataloguing the vast collection and sourcing suitable editions to add to it. In 1814, Dibdin began publishing his four-volume catalogue, Bibliotheca Spenceriana (also reissued in this series). Aedes Althorpianae was published in two volumes in 1822, and although it is to a great extent devoted to further details of the great library and its contents, it is also illuminating for its detailed history of Althorp and the Spencers. Its descriptions of the internal decoration of Althorp, particularly its art, are accompanied by numerous illustrations. Volume 2 records over 300 additions to the fifteenth-century books in the earl's collection, and catalogues the treasures of the great Cassano library, recently acquired by the earl.

At his death, George Spencer (1758-1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776-1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814-15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 1 covers the collection's oldest items, including a Gutenberg Bible and work by the great Nicholas Jenson.

At his death, George Spencer (1758-1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776-1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814-15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 2 covers the many first editions of Greek and Latin classics, predominantly from Italy, including examples by Valdarfer.

At his death, George Spencer (1758-1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776-1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814-15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 3 continues to catalogue the classics, along with early editions of Aquinas, St Augustine and Thomas a Kempis.

At his death, George Spencer (1758-1834) had created the greatest private library in Europe. At the time, many aristocrats were spending huge sums acquiring rare printed books. With monastic and aristocratic libraries in Europe being dissolved, collectors had access to thousands of examples. The Second Earl Spencer's interests were in English 'black-letter' printing, especially the works of Caxton, and continental incunables, particularly first editions of Greek and Latin classics. Thomas Dibdin (1776-1847) was employed as Spencer's librarian and visited Europe searching for new acquisitions. Published in 1814-15, this catalogue is of the earliest and rarest items in the collection. Each is described in detail, with reproductions of woodcuts and engravings, making this a fascinating record of one man's commitment to collecting the earliest examples of this revolutionary invention. Volume 4 includes many examples of the earliest work of Caxton, alongside first editions of Boccacio and Dante.

In 1809, Thomas Frognall Dibdin (1776-1847) published the first edition of Bibliomania, focussing on the contemporary craze for book collecting. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's book, in which bibliophiles conduct dialogues on the nature and history of book collecting, and the symptoms of and possible remedies for this 'fatal disease'. Published in 1832 under the pseudonym Mercurius Rusticus, Bibliophobia is a short pamphlet, which presents itself as a letter to the author of Bibliomania. The narrator, a book-lover himself, goes on a 'bibliopolistic pilgrimage', only to find out that 'bibliomania is no more', and that 'books are only the shadow of what they were'. From book-lovers to collectors, and from booksellers to libraries, the narrator carries out his entertaining yet melancholic investigation all the way to the Bodleian Library.

'A passion for possessing books, not so much to be instructed by them, as to gratify the eye by looking on them': thus is described 'bibliomania' by one of the characters of Thomas Frognall Dibdin (1776 1847), in this humorous novel first published in 1809. Introduced in English at the end of the eighteenth century, the term 'bibliomania' - or 'book-madness' - gained popularity with the publication of Dibdin's eponymous work. Using the entirely revised 1811 edition, this reissue brings back to life Dibdin's bibliomaniac characters and their playful dialogues on the nature and history of book collecting, and, most importantly, on the dangers of the 'fatal disease' that is bibliomania, its strange manifestations - such as the 'vellum', 'first edition', and 'unique copies' symptoms - and its possible cure. The author of numerous bibliographical works, Dibdin provides erudite comments and clarifications to his characters' dialogues in a parallel narrative of footnotes.